View credits, reviews, tracks and shop for the Multicolor Splatter Vinyl release of Alternate Revolver on Discogs. The Alternate Revolver is a collection of different takes and versions of songs recorded in for the album Revolver. Features many mono mixes and a few tracks lifted from Anthology. Taxman take 11, recorded on April 21, (taken from Anthology) Eleanor Rigby mono mix, recorded on April 29, ; I'm Only Sleeping. Sep 08, · Four weeks after the release of the album, the Beatles would preform their last concert on August 29th. Revolver is often cited as one of the group's all-time greatest records, placing at #3 on Rolling Stone's " Greatest Albums of All Time" list (behind only Pet Sounds and Sgt. Pepper's Lonely Hearts Club Band).
Nobody noticed only two John lead vocals on this album the same way no one noticed Paul only had one lead vocal on The Beatles' Second Album. It certainly wasn't as apparent as it was when people noticed how sucky Monkees albums became when Davy Jones got too many songs.
Compared to Paul's five lead vocals, George's three, and Ringo's one on Revolver, we only get two John cuts. But he gets to have the final word on both sides of the LP with "She Said She Said" and "Tomorrow Never Knows," two cuts that should've alerted everyone to how much acid he was ingesting on a daily basis. And in Augustwhen Lennon's off the cuff and out-of-context remarks touched off the whole "We're more popular than Jesus" furor, giving Lennon more than just the last word was probably more than America could handle.
Argument 3: The U. Various - Celebrate 88 Mega Mixes was no bigger pop phenomenon than the Caped Crusader in In this year alone, both the Who and the Kinks issued recorded versions of the Batman theme, and here Revolver opens up with "Taxman," a song that practically screams the Neil Hefti-penned theme song in comic-book word-balloons.
Elsewhere, on "Here, There and Everywhere," George manages to sneak Raindrops - Various - Collectors Records Of The 50s And 60s Vol. 17 a guitar line that echoes the Batman riff, although it is probably also echoing the same line George used to play much faster on the Beatles' version of "Besame Mucho.
Argument 4: America recognized the significance of the cover first and awarded artist Klaus Voorman a Grammy. In the pop world, no one thought of album covers as a place to showcase fine art, unless you want to count Jackie Gleason's hiring Salvador Dali to paint the cover for Lonesome Echo in But Revolver proved the Beatles to be more far out than the Stones, who named an album Out of Our Heads but never had a cover where the Beatles were actually coming out of their own heads and getting tangled up in their own hair as well.
The Grammy awards, usually preferring to award the Anita Kerr Singers or Herb Alpert over the Beatles, gave Voorman a nod for best album cover art, beating out such slim pickings as Barbara Streisand's childish crayon drawing on Color Me Barbara. It might have turned out very different had Voorman's first draft of the collage been used — it had a picture of McCartney sitting on a toilet that Brian Epstein made him remove.
Argument 5: The U. That he didn't finish it demonstrates how intimidating even a truncated Revolver was. The U. But eclectic it was. Of course I was dumb enough to say, "Of course it's electric" before I put two and two together and raced to the Webster's Pocket Dictionary every school forced you to buy.
It may not seem that important to you, but to us rock critics, "eclectic" is an often-used word to describe an album that is all over the map, but in a good way.
The Beatles invented so many genres in one album, and all the genres are represented on the U. I'll never forget when a friend of mine was crowing about how inventive and advanced "Setting Sun" by the Chemical Brothers was and how deflated he became when I played him "Tomorrow Never Knows," which came out a full 30 years before it.
I never liked the stereo of my favorite Beatles album, especially because of the way it makes "Taxman," possibly the hardest-rocking opener of any Beatles album, sound almost polite.
Who thought that was a good idea? Sir George? You have successfully signed up for your selected newsletter s - please keep an eye on your mailbox, we're movin' in! And it began with the letter R. Sure I'm biased. Is there any reason to commit the sixth man to step foot on the moon to the memory banks? Didn't think so. Sorry, Edgar Mitchell, it's nothing personal. So great was my love for this album that as a 5-year old, I have a clear memory of my kindergarten teacher Miss Courtney's puzzled face when I blurted out this album's title as an example of something that began with the letter R.
If that happened now, I would've most assuredly been sent to a child psychiatrist or at the very least, be segregated from the general population until the authorities arrived. Argument The balance of McCartney tracks meant my parents let us listen to it more often Paul gets in three of his prettiest ballads, plus the chipper "Good Day Sunshine," and Paul, riding high on "Yesterday" fumes, made the Beatles acceptable to many adults.
This was a big deal when most houses only had one turntable and one record player, and you had to ask permission to use it. When I think of all the times we sat down to dinner as a family and this album which contained two acid-driven songs by John and a love song to pot by Paul among others played in the background, Revolver seems like pretty subversive listening fare for enjoying a Sunday roast to.
All rights reserved. The band's most experimental work during the sessions was channelled into the first song they attempted, "Tomorrow Never Knows". The inclusion of reversed tape sounds on "Rain" specifically, a portion of Lennon's vocal part marked the first pop release to use this technique, although the Beatles had first used it, in some of the tape loops and the overdubbed guitar solo, on "Tomorrow Never Knows".
During the sessions, Emerick recorded McCartney's bass guitar amplifier via a loudspeaker, which Townsend had reconfigured to serve as a microphone, in order to give the bass more prominence than on previous Beatles releases.
According to authors Kevin Ryan and Brian KehewADT, backwards recording, and close-miked drums were among the nine techniques that the Revolver sessions introduced into the recording world for the first time.
Author Steve Turner writes that Revolver encapsulates not only "the spirit of the times" but the network of progressive social and cultural thinkers in There And Everywhere (US Mix) - The Beatles - Revolver - The Real Alternate Album the Beatles had recently become immersed in London.
In its lyrical themes, the album marks a radical departure from the Beatles' past work, as a large majority of the songs avoid the subject of love. In Womack's estimation, the songs represent two important elements of the human life cycle that are "philosophical opposites".
Harrison wrote Albumblätter - R. Schumann*, Tatiana Nikolayeva - Piano Pieces Taxman " as a protest against the high marginal tax rates paid by top earners like the Beatles, which, under Harold Wilson 's Im Tired - Savoy Brown - Rock N Roll Warriors government,  amounted Flesh Taste (Original Mix) - John Deere - Flesh Taste EP (File) 95 per cent of income above the top threshold.
Womack describes McCartney's " Eleanor Rigby " as a "narrative about the perils of loneliness". Pepper's Lonely Hearts Club Band.
McCartney intended " Yellow Submarine " — a song he later characterised as a "kid's story" — as a vehicle for Starr's limited vocal range.
The light atmosphere of "Yellow Submarine" is broken by what Riley terms "the outwardly harnessed, but inwardly raging guitar" that introduces Lennon's " She Said She Said ". Another song first issued on Capitol's Yesterday and TodayA Morning With The Roses - Various - Windham Hill Records Piano Sampler " And Your Bird Can Sing " was written primarily by Lennon, with McCartney claiming to have helped on the lyric and estimating the song as "80—20" to Lennon.
MacDonald suggests that McCartney was attempting to employ the same "dry cinematic eye" that director John Schlesinger had adopted in his film Darling. Harrison said he wrote " I Want to Tell You " about "the avalanche of thoughts" that he found Strings - Shawn Mendes - Handwritten to express in words. Rodriguez describes Lennon's " Tomorrow Never Knows " as "the greatest leap into the future" of the Beatles' recording career up to this point.
Lennon intended the track as an evocation of a Tibetan Buddhist ceremony. The cover for Revolver was created by German-born bassist and artist Klaus Voormann one of the Beatles' oldest friends from their time in Hamburg during the early s. Voormann's aim was to reflect the radical departure in sound represented particularly by "Tomorrow Never Knows",  and his choice of a black-and-white cover was in deliberate defiance of the preference for vivid colour.
The LP's back cover included a photograph of the Beatles, in Riley's description, "shaded by the hip modesty of sunglasses and cigarette smoke". The album's title, like that of Rubber Soulis a pun,  referring to both a kind of handgun and the "revolving" motion of a record as it plays on a turntable. The group had originally wanted to call the album Abracadabrauntil they discovered that another band had already used it. In Britain, EMI had gradually distributed songs from the album to radio stations throughout July  — a strategy that MacDonald describes as "building anticipation for what would clearly be a radical new phase in the group's recording career".
Schaffner likens the Beatles' recordings to the moment of transformation in the film The Wizard of Oz Krāsainās Lāses - Gunārs Rozenbergs - Laura, "where, when Dorothy discovers herself transported from Kansas to Oz, the film dramatically changes from black-and-white to glorious technicolor".
In the UK, where "Eleanor Rigby" was the favoured side, the single became the best-selling song of after topping the national chart for four weeks during August and September. When the Beatles re-signed with EMI in Januarytheir contract stipulated that Capitol could no longer alter the track listings of their albums. Albums box set and as an individual release. Due to the controversies surrounding the Beatles during their tour, critical reaction in the United States was muted relative to the band's previous releases.
In Britain, the reception was highly favourable. Evans concluded: "this is a brilliant album which underlines once and for all that the Beatles have definitely broken the bounds of what we used to call pop. Clayton concluded: "if there's anything wrong with the record at all it is that such a diet of newness might give the ordinary pop-picker indigestion.
Recalling the release in his book Revolution in the HeadIan MacDonald writes that, with Revolverthe Beatles "had initiated a second pop revolution — one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind". No group has been as consistently creative as the Beatles, though the [Lovin'] Spoonful and Beach Boys are coming closer all the time Rather than analyze the music we just suggest that you listen to Revolver three or four times a day and marvel In the edition of The Rolling Stone Album GuideRob Sheffield wrote that Revolver found the Beatles "at the peak of their powers, competing with one another because nobody else could touch them"; he described it as "the best album the Beatles ever made, which means the best album by anybody".
Pepper's as the two "essential classics" in the Beatles' canon and described it as "Always the rock fraternity's favourite and the blueprint for Noel Gallagher 's career ". While noting the diverse musical directions adopted by Lennon, McCartney and Harrison in their respective contributions, Pitch - Qa - Drones states: "The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly.
He considers it to be McCartney's "maturation record" as a songwriter in the same way that Rubber Soul had been for Lennon. Chris Coplan of Clouds Across The Moon - RAH Band - Clouds Across The Moon of Sound is less There And Everywhere (US Mix) - The Beatles - Revolver - The Real Alternate Album with the album, rating it a "B" and "the black sheep of the Beatles' catalog".
Although he admires the psychedelic tone, he considers that this experimentalism renders the more standard pop songs, such as "Got to Get You into My Life" and "Here, There and Everywhere", "seemingly out of place" within the collection. It's easy to admire, even to be awed by, but some listeners find Revolver a little harder to love. MacDonald deems Lennon's remark about the Beatles' "god-like status" in March to have been "fairly realistic", given the reaction to Revolver.
He adds: "The album's aural invention was so masterful that it seemed to Western youth that The Beatles knew — that they had the key to current events and were somehow orchestrating them through their records. In the recollection of author Barry MilesRevolver resounded with the contemporary London undergroundparticularly those behind initiatives such as the UFO Clubon the level of experimental jazzand it established rock 'n' roll as "an art form" by signalling "the way forward for all rock musicians who wondered if there was life after teen scream status".
Revolver has been recognised as having inspired new subgenres of music, anticipating electronicapunk rockbaroque rock and world musicamong other styles. Rodriguez praises Martin and Emerick's contribution to the album, suggesting that their talents were as essential to its success as the Beatles'. Whereas Sgt. Pepper had long been identified as the Beatles' greatest album, since the s Revolver has often surpassed it in lists of the group's best work.
Pepper was one of the cultural revisions established by the Britpop phenomenon in the s. Pepper in as the two factors that had contributed to Revolver being relatively overlooked. Kot concluded that the ensuing decades had seen this impression reversed, since Revolver "does everything Sgt Pepper did, except it did it first and often better.
It just wasn't as well-packaged and marketed. Rodriguez writes that, whereas most contemporary acts shy away from attempting a concept album in the vein of Sgt.
Pepperthe prototype established by Revolverwhereby an album serves as an "eclectic collection of diverse songs", continues to influence modern popular music. Pepperit was the product of a collaborative effort, with "the group as a whole being fully vested in creating Beatle music". Revolver has appeared high up in many lists of the best albums ever made,   often in the top position.
InRevolver was inducted into the Grammy Hall of Fame an award bestowed by the American Recording Academy "to honor recordings of lasting qualitative or historical significance that are at least 25 years old".
The following track listing is for the original release in all markets other than North America and was subsequently adopted as the standard version of the album for its international CD release in All tracks written by Lennon—McCartneyexcept where noted. BPI certification awarded only for sales since From Wikipedia, the free encyclopedia.
Rock pop psychedelic rock. Literally anything [could come out of the next recording sessions]. Electronic music, jokes Revolver very rapidly became the album where the Beatles would say, "OK, that sounds great, now let's play [the recording] backwards or speeded up or slowed down. There are sounds [on Revolver ] that nobody else has done yet — I mean There And Everywhere (US Mix) - The Beatles - Revolver - The Real Alternate Album The guitar solo from "Taxman". Womack characterises the solo as "like nothing else in the Beatles' corpus to date; for that matter, it hardly bears any resemblance to anything in the history of recorded music.
The backwards guitar solo from "I'm Only Sleeping". Martin then reversed the tape and dubbed it into the track, achieving what MacDonald describes as "smeared crescendi" and "womblike sucking Wie Sieben Meilen Miesen Dirach - Zeena Parkins - Mouth=Maul=Betrayer. The songs There And Everywhere (US Mix) - The Beatles - Revolver - The Real Alternate Album more interesting, so with that the effects got more interesting.
I think the drugs were kicking in a little more heavily on this album We were really hard workers. This is easily the most amazing new thing we've ever come up with. Some people might say it sounds like a terrible mess of a sound But the song ought to be looked on as interesting — if people listen to it with open ears.
It's like the Βρε Σαγαπάω - Δημήτρης Κοντολάζος - Οι Δρόμοι Με Μεγάλωσαν stuff. You mustn't listen to Eastern music with a Western ear. Sample from "Tomorrow Never Knows". According to author Colin LarkinLennon's drug-inspired song "has been described as the most effective evocation of a LSD experience ever recorded".
We'll lose some fans with [the new album], but we'll also gain some. The fans we'll probably lose will be the ones who like the things about us that we never liked anyway Revolver invented musical expressions and initiated trends and motifs that would chart the path not only of the Beatles and a cultural epoch, but of the subsequent history of rock and roll as well.
There's a case to be made that the Beatles went on to do Sgt. Pepper's because there was nowhere else to go but too far. With Revolverthey had mapped out the pop universe so perfectly that all they could do next was tear it up and start again. Pennebaker 's documentary about Dylan's tour, Eat the Document on 27 May,  while Shankar agreed to become Harrison's sitar teacher on 1 June.
The band ultimately rejected the idea. Pepper carried the title of best album of all time for ages In the last couple years, however, revisionist history has actually changed things for the better. Revolver is king. Retrieved 24 June Available at Rock's Backpages subscription required.
Rolling Stone. Retrieved 16 February Anthology 2 Ponekad - Urgh! / P.M.S. - Yonuss Tape booklet. Apple Records. The Independent.
Archived from the original on 2 April In: Mojo Special Limited Editionp. Tape Op. Retrieved 25 May Retrieved 25 June The Daily Telegraph. The Quietus. The Denver Post. Retrieved 26 June It's What We Want! Retrieved 26 August Official Charts Company. Retrieved 11 February Deconstructing Pop Culture. Archived from the original on 6 March Retrieved 23 June BBC News.
KRLA Beat. Record Mirror. Hit Parader. February The A. Archived from the original on 22 May Archived from the original on 4 May Archived from the Here on 19 June Classic Rock. Retrieved 5 May Consequence of Sound.
The Beatles, 'Revolver ' ". Retrieved 4 October The Guardian. Retrieved 19 October BBC Music. Archived from the original on 26 March Acclaimed Music. Archived from the original on 21 July The New York Times. Entertainment Weekly. Archived from the original on 17 October Australian Chart Book — Retrieved 28 June Retrieved 27 June Retrieved 13 May Oricon Style in Japanese. Australian Recording Industry Association. Retrieved 15 September Retrieved 18 October Music Canada.
Federazione Industria Musicale Italiana. Retrieved 9 There And Everywhere (US Mix) - The Beatles - Revolver - The Real Alternate Album Select "" in the "Anno" drop-down menu. Select "Revolver" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
"Here, There and Everywhere" is a song by the English rock band the Beatles from their album Revolver.A love ballad, it was written by Paul McCartney and credited to Lennon–progressive.dathistazahnmoditius.infoinfoney includes it among his personal favourites of all the songs he has written. In , Mojo ranked it 4th in the magazine's list of the greatest songs of all progressive.dathistazahnmoditius.infoinfo: Soft rock, pop. Mar 20, · "Here, There and Everywhere" is a song written by Paul McCartney (credited to Lennon--McCartney), recorded for the Beatles' album Revolver. In . Revolver is the seventh studio album by the English rock band the progressive.dathistazahnmoditius.infoinfo was released on 5 August , accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine".The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late Genre: Rock, pop, psychedelic rock.
View credits, reviews, tracks and shop for the Digipak CD release of The Alternate Revolver on Discogs.
In some ways it's the perfect counterpoint to The Beatles' Second Album, another U.S.-only creation -- on that release, John Lennon dominated the lead vocals, while here, Paul McCartney owns five of the lead vocals (and six of the songs, as composer) on the U.S. album. Written by John Lennon and Paul McCartney from the Beatles' album Revolver. A simple love song and Mojo Magazine’s 4th best song ever written, “Here, There And Everywhere” tells the.
Jun 28, · View credits, reviews, tracks and shop for the Colored Vinyl release of Revolver - The Real Alternate Album on Discogs/5(3).
"Here, There and Everywhere" is a song largely written by Paul McCartney (though credited to Lennon/McCartney), recorded for the Beatles album Revolver. In his biography, "Many Years From Now", McCartney is quoted as saying that the song is one of his favourites. View credits, reviews, tracks and shop for the Digipak CD release of The Alternate Revolver on Discogs.
Aug 09, · If we're to believe the timeline – the Beatles heard an advance copy of Pet Sounds and immediately came up with "Here, There and Everywhere," Author: Serene Dominic.
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